Publications
Winnington, G. Peter. Walter Fuller: the Man Who Had Ideas. Mauborget: The Letterworth Press, 2014.
Based on years of research in unpublished letters, diaries, and archival documents, this biography reveals how the obscure Englishman, Walter Fuller, came to edit periodicals that between 1904 and 1910 were read throughout the Empire. In 1911 he took three of his sisters across to New York to sing folksongs. On the outbreak of WWI, he added anti-war songs to their repertoire, anticipating this means of social protest that became popular in the late 1960s. He also pioneered in anti-war propaganda and brought the Americans the concept of “civil liberties” that is defended to this day by the American Civil Liberties Union (ACLU), co-founded by his wife Crystal Eastman. In the 1920s he returned to editing periodicals, first in New York and then in London, where the BBC chose him to edit its Radio Times.
ISBN: 9782970065425 (hardback) |
Winnington, G. Peter, ed. Miracle Enough: Papers on the Works of Mervyn Peake. Newcastle-on-Tyne: Cambridge Scholars Publishing, 2013.A selection of the papers presented at the international Mervyn Peake Centenary Conference at the University of Chichester, England, in 2011. It encompasses a wide variety of approaches to Peake’s work – not just the Gormenghast trilogy but also his books for children, his poetry, and his art. They compare Peake with other writers, explore the world of Gormenghast, and examine his characters and his poetical prose style. Two essays approach the graphic side of Peake’s oeuvre: the drawings he made in the manuscripts of the Titus books, and his illustrations for Household Tales by the Brothers Grimm. My own contribution, the opening speech of the Conference, shows for the first time how much Peake owed to Lewis Carroll. The book contains 60 illustrations and two tables. ISBN: 9781443844116 |
Maslen, Robert W., and G. Peter Winnington, eds. Complete Nonsense by Mervyn Peake. Manchester: Carcanet, 2011.
Peake (1911–68) is one of the great English nonsense poets, in the tradition of Lewis Carroll and Edward Lear. His verses lead the reader into places where cause is cut free of effect and language takes on a giddy life of its own. Malicious bowler hats threaten their owners, and a cake is chased across an ocean by a rakish knife while uncles and aunts turn into animals or objects. ISBN: 9781847770875 |
Winnington, G. Peter. Mervyn Peake’s Vast Alchemies. London: Peter Owen, 2009.A revised edition of the biography of Peake, Vast Alchemies (2000), with much new information, particularly about the war years, and added illustrations. ISBN: 9780720613414 |
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Gyger, Patrick J., and G. Peter Winnington. Lignes de fuite / Lines of Flight. Yverdon, Switzerland: Maison d'Ailleurs, 2009. Bilingual French/English.This beautiful book was written to accompany the exhibition of Mervyn Peake’s original artwork for his illustrated books shown at the Maison d’Ailleurs in Yverdon during the winter of 2009–10. It contains an introduction by Patrick Gyger, the curator of the Maison d’Ailleurs (who has now moved on to direct the Lieu Unique in Nantes, France); an essay on Peake’s art, “The Draw of the Line / L’Attrait du trait”; and a chronological bio-bibliography, both by Peter Winnington in English and French. With 74 reproductions of Peake’s work in black-and-white and 13 in colour. (NB It is not a catalogue.) |
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Winnington, G. Peter. The English Department at Lausanne University: an informal account of its first hundred years. Mauborget: the Letterworth Press, 2009.A little surprise that Peter prepared for his colleagues on the occasion of his retirement from the English department. Now out of print, but … you can view and/or download it from here. ISBN: 9782970065401 |
Winnington, G. Peter , ed. Mervyn Peake: The Man and His Art. London: Peter Owen, 2006.
Early in 2006, Peake’s son Sebastian and his girlfriend Alison Eldred went to see Peter Winnington with their ideas for a book. In six weeks he put it together, writing most of the chapters (including those attributed to Sebastian) and incorporating texts about Peake from many different sources, including letters Winnington had received, to go alongside a wealth of images from an equally wide range of sources. Thanks to the design work of Benedict Richards, the first (hardback) edition of the resulting book is much sought after by collectors. One purchaser called it “the most beautiful book in the world”. ISBN: 9780720613216 |
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Winnington, G. Peter. The Voice of the Heart: the working of Mervyn Peake’s imagination. Liverpool UP, 2006.The works of Mervyn Peake have fascinated readers for sixty years. His Gormenghast sequence of novels – recently serialized to great acclaim by the BBC – stands as one of the great imaginative accomplishments of twentieth-century literature. In The Voice of the Heart, G. Peter Winnington, the world’s foremost expert on Peake, sets his subject’s fiction in context with the poetry, plays and book illustrations which are less well known. He traces recurrent motifs through Peake’s works (islands, animals, and loneliness, for example) and explores in detail Peake’s long-neglected play, The Wit to Woo. Through close readings of all these elements of Peake’s oeuvre, Winnington is ultimately able to offer unparalleled insight into one of British literature’s most vibrant imaginations. ISBN: 9781846310225 |
Winnington, G. Peter. Vast Alchemies: the Life and Work of Mervyn Peake. London: Peter Owen, 2000.(Nominated – in a shortlist of only four titles – for the Mythopoeic Society’s Academic Award, 2003)
This biography was commissioned late in 1998 for publication to coincide with the BBC’s adaptation of Peake’s Titus Groan and Gormenghast as its “flagship mini-series” marking the new millennium, January 2000. So it was written in six months. Now out of print, superseded by Mervyn Peake’s Vast Alchemies (above) |
Winnington, G. Peter. PPG: Peter’s Pragmatic Guide to Idiomatic English. First issued in 1996. The current edition is the 18th, 2014.
As soon as I bought a computer in 1982 (with its 64K of memory!) I began to use it to write my comments on student essays: it was faster than writing by hand and gave me endless space for feedback; it produced a printed document that the student could easily read; and provided me with a record of what I had written. As I read an essay, I wrote a number against the words or passage I wished to comment on, and then typed a numbered comment on the screen. |